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Original Treatises, Dating from the XIIth to XVIIIth Centuries on the Arts ...

 By Mary Philadelphia Merrifield

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work; the Roman soldier looks on with pity; the other can no longer look, and turns away. These representations are so entirely at variance with our conventional rules, that it requires a considerable degree of mental exertion to appreciate them. The first step in this, and many similar occasions, must be for the observer to forget - Page civ

the first edition was, according to Hall'er, printed at Basle in 1559. " Every edition," says Beckmann. "seems to differ from the preceding; many things are omitted, and the new editions are, for the most part, of little importance. I have the edition of Basle, 1592, 8vo., in which there is a great deal not to be found - Page 168

warm turpentine." perfect condition, notwithstanding they had been thrown carelessly about for nearly sixty years. Le Blond was a pupil of Carlo Maratti. He died at a very advanced age, leaving behind him the character of an ingenious projector." Mr. Sheldrake's conjecture respecting the Italian origin of this recipe appears to be well founded. It will - Page cclxix

acqua medesima. MANUSCRIPTS OF JEHAN LE BEGUE. PRELIMINARY OBSERVATIONS. IN the year 1431, Jehan le Begue, a licentiate in the law and Notary of the Masters of the Mint at Paris, being then in the sixty-third year of his age, 1 composed, or rather compiled, the following manuscript, 2 from a collection of works on painting made by one 1 - Page cccxii

It was the custom of the Church to distribute the crumbs of the consecrated host which might remain to children summoned for that purpose 1 It contained nearly 7000 pearls, besides diamonds and rubies, and was valued at 200,000 crowns. 2 Archaeological Journal for 1845, p. xlii. 3 See - Page xcii

with the waters hereinafter mentioned." The following recipes were brought from England :— 89. To make black water.—Take a pint of water from under the grindstone on which knives are ground, 2 and place it over the fire, and throw into it a glass of vinegar and ii. oz. of galls ; then take - Page 84

auripetrum.—Spanish saffron, distempered with very clear glue or liquid varnish, and laid over very clear, that is, very bright and well polished tin, assumes the appearance of gold to those that look on it, for it receives its colour from the sun, and its brilliancy from the tin, and thus may be made excellent auripetrum. - Page 158

of skill in design appeared to consign him. Andrea died in 1294, and his merits were recorded in an epitaph preserved by Vasari— " Qui giace Andrea, ch' opre leggiadre, e belle Fece in tutta Toscana, ed ora e ito A far vago lo - Page xliv

are thus painted, their texture is not thickened or darkened any more than if they had not been painted, because the aforesaid watery colours have not sufficient body to thicken the cloth." Also in the beginning of the following quire in the same MS. it was - Page 90

Places mentioned in this book

Bologna - Page lxviii
Petronio in Bologna.2 It is much to be regretted that it cannot now be ascertained what glass was painted by him, for the windows in this church were ...
more pages: lxx cxlvii clxxiv ccxcii ccxciii
Venice - Page cclxxxviii
This information was confirmed by other professors of Venice and Verona. With respect to the grounds used by Titian, I was informed that this great ...
more pages: xxiii xxxix cxxxviii ccxcix cccviii
Ferrara - Page xxxii
As a work of art, the choral books of the Monastery degli Angeli in Florence are perhaps more remarkable than those of Ferrara. ...
more pages: xxxi clxxiv cc 168
Milan - Page lxxxix
Many beautiful specimens of the latter are in the possession of the Marquess Trivulzio, at Milan. It is generally considered that the art of colouring ...
more pages: xxxii xxxix lxvii cxvii cxxx
Florence - Page xlvi
It is gratifying to learn that a second edition of this highly interesting work will probably be published at Florence, which will contain the new ...
more pages: xxxii xlviii clxxxii ccxcix ccciv
Naples - Page ccxxiii
That brought from Naples is reputed to be next in goodness to the Egyptian. It will dissolve in oil, but never yields that intense black to the same ...
more pages: lxvii cliv clix clxii ccxxviii
Filiasi - Page cx
Filiasi2 observes that " the art of gilding skins and leather has been exercised from time immemorial in the [Venetian] lagoon, and to such an extent ...
more pages: xciii
Modena - Page ccxlv
for diluting their colours and varnishes, was a natural production of many parts of Italy, particularly of the territories of Modena and Parma. ...
more pages: cclvi cclxxvii 11
Rome - Page lxxiii
Rome, who had for the window of his study a piece of white glass, on which was painted a figure with an infinite number of colours fixed on the glass ...
more pages: xxxii xlviii li liv
Padua - Page 12
The name of Antonio da Modena also occurs among the names of the artists in the book belonging to the Society of Painters in Padua during the year ...
more pages: x 6
Paris - Page ccxc
This was the case with the celebrated Nozze di Cana by Paolo Veronese, which, on its arrival at Paris, was found to be in such a state as to render it ...
more pages: lxxxix clxxvii cclxxxix ccxci
Arles - Page xxiii
Montpellier and Arles were also engaged in the same pursuit, and at the end of this century or the beginning of the fourteenth the first Venetian ...
Cologne - Page cxxxiv
2 I am not aware that Cologne earth is mentioned in Italian works, at least previous to the 17th century. The colour might have been terra di ...
more pages: cxxxvi cxl ccxxii
Marseilles - Page cix
skins and leather were also imported from Africa into Barcelona, and the merchants of this city occupied, conjointly with those of Marseilles, ...
more pages: clxxx
Apulia - Page 179
I have formed the opinion that the original MS. of Byzantine art was written by a Greco-Italian of the Duchy of Benevento (which included Apulia), ...
more pages: 238
Barcelona - Page xxiv
The arts had also made some progress in Spain during this century, for the corporation of the painters and sculptors of Barcelona dates from the same ...
more pages: cix
Lucca - Page cv
The second figure is in the church of the Servites, at Lucca, in the civil costume worn by the Florentines. The third image was sent to S" Maria degli ...
more pages: cxv
Seville - Page ccxxiv
that there is no doubt it was used by the great colourists, especially in Seville and Granada, although one may do miracles without it. ...
more pages: cclxxxvi
Salerno - Page 171
The schools of Salerno communicated to the West the medical skill of the Arabs, and the commerce of Amalfi introduced into those fertile provinces not ...
Rouen - Page cci
at Rouen; hut as those who make it keep it a secret, I could not learn how it is made. The author of the ' Traite de la Peinture au Pastel' appears to ...
more pages: ccl 112
Brighton - Page cliii
earth for painting, of which the moulds for casting brass are formed.6 A yellow loam is still used for this pur-pose in the foundries at Brighton. ...
more pages: ix xii 204
Berlin - Page cxcv
An eminent German chemist informed me that in the laboratory in Berlin, where he studied chemistry, there were several old boxes marked with the word ...
more pages: cxxvii ccix
London - Page ccxxiii
Wilson Neil states that a similar kind of factitious asphaltum is now made in London, which is not inferior to the best Egyptian. ...
more pages: clxxi 7 84 245
Valencia - Page 261
of Valencia, seem first to hare adopted the idea of using linen rags, and the most ancient paper of this kind is that of Valencia and Catalonia. ...
Birmingham - Page 245
appears from the text, lead glass was called " Jewish glass," this may sufficiently account for the appellation given to the glass made at Birmingham. ...
more pages: xcii 244
Granada - Page ccxxiv
that there is no doubt it was used by the great colourists, especially in Seville and Granada, although one may do miracles without it. ...
Assisi - Page cv
The third image was sent to S" Maria degli Angeli, at Assisi. There were other wax figures by Orsini in the Church of the Servites. ...
Munich - Page cclxi
It has, however, been recently employed at Munich as a vehicle for painting, for which purpose it was dissolved in spirits of turpentine with a ...
Cairo - Page ccxi
who appears to have been a jeweller of Cairo.2 The term ultramarine must have been common in Italy at the beginning of the fourteenth century, ...
Pesaro - Page 177
l He also says that lead glazing was applied to pottery at Pesaro about 1100; that it had been found on pottery in a tomb at Jumieges, ...
Huntingdon - Page cx
Leather hangings were also in use in our own country; the best specimens are at Nonsuch Palace, in Surrey; Hinchinbrook House, near Huntingdon ...
Paderborn - Page xxxiii
In the eleventh century schools of painting were formed at Hildesheim and Paderborn; and the art was exercised by ecclesi-astics of the highest rank.2 ...
Perugia - Page cccix
first who practised the Flemish method of oil painting in Perugia) was painted with smaltino tempered with starch or flour paste (colla di farina). ...
Brussels - Page clxxiv
He adds, " the red draperies of the figures in the old Brussels tapestries were dyed with this ingredient, and their colour, which in some of these ...
Rimini - Page lxxv
The first glass furnace was introduced into Rimini in 1551 by Geminiano da Modena, whose sons became excellent painters on glass.2 ...
Messina - Page cclxvii
after its introduction by An- tonello da Messina, and as the early Flemish painters are known to have used amber varnish, it may be supposed that this ...
Cagliari - Page lxi
Fra Domenico Pollini, a native of Cagliari in Sar-dinia, lived at Pisa during the first half of the fourteenth century. ...
Vienna - Page lxxix
Glass, however, was not in common use in England until the reign of Henry the Eighth ;2 but it appears to have been employed for windows in Vienna ...
Cambridge - Page lxxix
since they are mentioned in a description of the inte-rior of a castle in a MS. of the fifteenth century' (in the public library at Cambridge), ...
more pages: 166 181
Genoa - Page xxii
3 A silk manufactory was established at Palermo in 1148, and in the same century at Genoa. There were woollen manufactories in England in the twelfth ...
more pages: xvi
Turin - Page clxxvii
5 This work, which was published at Turin in 1758, appears to be a translation of Ballard's Traite' de Mignature. ...
more pages: x
Brescia - Page x
Arrigoni, of Bergamo ; Conte Luigi Lcchi, of Brescia; Conte Orti Manara, and Conte Jacomo Mosconi (known to the literary world as the translator of ...
Albi - Page 20
Albi colores seu materie et metalla eorum sunt et nomi- nantur, ut et in hac tabula reperies in locis suis, cerusa. blacha, argentum et stannum ...
Lyon - Page ccl
was procured in the neighbourhood of Lyons; and Pomet says3 that it should rather be called '• terebenthine fine du bois de Pilatre ou de Lyon. ...
Madrid - Page cclxxxv
with pumice- stone was covered with the priming of almagra (a red earth), ground with linseed oil; these grounds, Pacheco says, were used at Madrid. ...
Palermo - Page xxii
3 A silk manufactory was established at Palermo in 1148, and in the same century at Genoa. There were woollen manufactories in England in the twelfth ...
Benevento - Page cxiii
Dye- houses were established in the duchy of Benevento as early as the eleventh century, and in Sicily at the com- 1 The Life and Writings of Cellini ...
Haarlem - Page xxxv
1 " Spectacles had been known at Haarlem since the begiro1ing of the 14th century, and a monument in the church of Sta. ...
Jerusalem - Page cxiii
Benjamin of Tudela relates that when he visited Jerusalem (between 1160 and 1173) he found only two hundred Jews resident in that city, ...
Vermes - Page 187
O vos artifices qui sculpere vultis honeste2 Vitrum, nunc vobis pandam,3 velut ipse probavi, Vermes quffisivi pingues quos vertit aratrum Ex terra,4 ...
Hispania - Page 245
Rubi itaque multis locis generantur, sed optimi Ponto, et in Hispania, nascuntur. Paratonium ex ipso loco unde foditur habet nomen. ...
more pages: 211 247
St. Louis - Page 261
of paper made from rags into France and Italy is not known, but Montfaucon could find no book on this paper antecedent to the death of St. Louis. ...
Montpelier - Page 200
It must not be confounded with " Maurelle," the name by which the Croton Tinctorium is known at Montpelier. xvin. How green glass is to be made for ...
Reseda - Page clxi
consist of an earth coloured with weld (gaude, Reseda luteola) and by others to be composed of the oxides of lead and antimony with other ingredients. ...
Chilon - Page cxxxv
D. also mentioned that Chilon«, an old painter who died about seven or eight years ago, was acquainted with Canal and Canaletto, and that he had told ...